In 1876 he found employment with C.G. He accompanied his family to Goshen, Indiana and then to Elkhart in 1875. The company was founded by Ferdinand August "Gus" Buescher (born Elk Township, Noble County, Ohio 26 April 1861 died Elkhart, Indiana 29 November 1937). Diamond in the Rough.This Silver Plated Model 140 Buescher Aristocrat is in line for a full restora. 1939 Original with Snap-On Boosters - Exceptional Cosmetics. New Aristocrat alto introduced: 1932: 264025: 1933: 265523: 1934: 267356 : Aristocrat alto introduced: 1935: 268971: 1936: 272896: 1937: 279300: 1938: 284418: 1939: 288024 : Big B Aristocrat alto introduced: 1940: 291336: 1941: 294125: 1942: 297527: 1948: 312000: 1949: 316000: 1950: 326000: 1951: 337000: 1952: 347000: 1955: 350000: 1960: 360000: 1963: 381000 : Around this time Selmer Purchased Buescher: 1965: 408000: 1970: 520000: 1975: 630000Buescher.In 1890, while still employed with Conn, he began producing band emblems at home and was setting up his own shop. Lefebre in 1888 he produced Conn's first saxophone prototype. After being shown an Adolph Sax model saxophone in possession of E.A. By 1888 he was promoted to foreman.True Tone became the trademark name for band instruments made by the Buescher Manufacturing Company.Vintage Buescher True-Tone Alto Saxophone(1926-1927) SN.218927.Elkhart IND. In March 1901 he patented a cornet unusual in that the valves were of unequal lengths. In 1894 his company began production of saxophones, becoming Conn's main competitor over the following two decades. Collins, a clothing merchant, and Harry L. Main Street, which made band instruments and other metal products, in partnership with John L.
![]() Buescher Aristocrat Saxophone S Professional Players ThroughThe Aristocrat and 400 models remained popular with professional players through the early 1950s, until instruments with more modern keywork gained favor and changes to Buescher's product line were coldly received. Buescher adapted its sound concept to the bigger, bolder sounds favored by dance orchestras and jazz musicians, modifying its Aristocrat model and releasing the 400 "Top Hat & Cane" model in 1940. Buescher stayed true to Adolphe Sax's concept for saxophone sound into the early 1930s, gaining the favor of classical saxophonist Sigurd Rascher and those influenced by him. During the 1920s Buescher also made small numbers of tipped-bell soprano, straight alto, and straight tenor saxophones. Applications mac torrentDuring the 1970s, the market position of the Buescher Aristocrat/Selmer Bundy model declined under competition from Yamaha's more up-to-date and more efficiently produced student instruments.The Buescher brand was retired by Selmer in 1983. After Buescher was sold to Selmer, Selmer allowed the use of the Buescher trademark for products sold under Buescher's established distribution network. The Elkhart line was continued until 1959, followed by Buescher's downgraded Aristocrat line as their offering in the student market. Buescher's presence in the professional saxophone market ended when it was acquired by the H&A Selmer Company in 1963, although a nominal "Buescher 400" model continued to be produced through the mid-1970s.Buescher became the main supplier of student-grade saxophones to the H&A Selmer Company, producing the vast majority of such instruments marketed under Selmer's "Bundy" brand. It was a step down from the Truetone.After the traditional Truetone trumpets were the Buescher 400 Truetone. Louis Armstrong recorded with a Buescher Truetone 10-22R Trumpet in the late 1920s.The Aristocrat was a Truetone professional trumpet previous to the Selmer buy out and became a student horn after 1963. Buescher Bb Truetone (Professional), There were a wide variety of Truetone models many custom made for the professional musician. Gretsch and Supertone were merchandiser-branded "stencils" of the Buescher Saxonette.Here is another close up of the "American Professional" emblem located on the upper section of the clarinet, just below the barrel.The engraved emblem on this clarinet shows that the brand is " American Professional" the link below states that Buescher was the retailer of "American Professional" instruments. They were produced with the Albert system, and later with the Boehm system. Buescher silver-plated military band-style upright three-valve Bb flat Later models had straight braces).500 bore Buescher 400 (Early models had slanted braces on bell section and offset slide tubes with the upper slide tube roughly 2" behind the lower. Buescher Grand (silverplated with goldplated bell engraving) Brass with nickel, Silver plate, and silver plate with sterling silver bell called Super 400. ( July 2013) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources. Buescherphones (tradename for sousaphones)This section does not cite any sources. 1916 concurrent production of drawn and soldered tonehole types into early 1920s(?) some examples from around 1920 reported to have (experimental?) elliptical cross-section body tubes F-linked G ♯ key action, snap-in pads introduced in early 1920s front F key introduced in 1924 and standard by 1926 4-roller LH cluster introduced in 1926 some straight altos and tenors, tipped-bell sopranos produced in 1920s used by Sigurd Rascher 1930–1932 1905 drawn toneholes and mother-of-pearl key buttons introduced ca. Co., Elkhart, Ind." with bell/tuning fork logo engraved on bell on pre-1904 versions, "The Buescher, Elkhart Ind." engraved on bell and "True Tone" logo stamped on the rear of the body tube on post-1904 versions all have split bell keys early versions have double octave keys, metal key buttons and rollers, soldered toneholes, direct G ♯ key action single octave key, black hard rubber rollers introduced ca. Aristocrat models 140 alto, 156 tenor, 129 baritone (1940–1955): "I-beam" cross-section key guards replace round wire guards (alto and tenor) neck and bore changed "The Buescher Aristocrat" engraving right-hand G ♯ trill key and large engraved "B" logo until 1950 instruments with "B" logo and trill key referred to as "series II" and without as "series III" by saxpics.com used by Johnny Hodges and Al Sears of the Duke Ellington orchestra Elkhart models (1936–1959): trademark name retained by Buescher after the Elkhart Band Instrument Company was dissolved student models also marketed as various merchandisers' "stencil" brands and eventually as " Selmer Bundy" Aristocrat (1934–1940): "The Buescher Aristocrat" engraving with art-deco design left-sided bell keys replace split bell keys previous model baritone continued to 1936 with new engraving "Buescher" wordmark stamped on enlarged G ♯ keytouch yellow or tan rollers referred to as "series I" by saxpics.com used by Bud Freeman, Earle Warren, Ike Quebec, Elliot Riley Aristocrat models S33 alto, S40 tenor (1960–63): left side bell keys, round wire key guards, simplified LH cluster mechanisms, simplified engraving block-letter "Buescher" stamp replaces wordmark on G ♯ keytouch nickel-plated keywork student model also marketed as " Selmer Bundy" referred to as "series V" by saxpics. Aristocrat models 141 alto, 157 tenor (1955–1959): "The Buescher Aristocrat" engraving nickel-plated keywork right-rear facing bell keys referred to as "series IV" by saxpics.com
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